Riding High on Biking
Denver Post Photo Insert- P.2, Denver & The West 6-24-2010

Paul Brekus on his Penny-Farthing or Ordinary
bicycle takes part in Wednesday's
"Bike To Work Day" at Civic Center Park. Food at
breakfast stations across the
metro area ran from 6:30 to 9:00 AM.~ John Prieto- The Denver
Post
"The First Dog On The Left" has arrived!

Gary Doss,
Founder and Curator of the Burlingame Museum of
PEZ Memorabilia
By Mike
Rosenberg
San Mateo County Times Posted: 07/09/2009 04:34:48 PM PDT
Updated: 07/09/2009 11:42:42 PM PDT
BURLINGAME The owners of the city's Pez museum, who were sued by the candy company last month, have hired a local law firm to fight claims that a giant dispenser topped with a snowman's head violates copyright laws.Thursday's announcement comes after Pez Candy Inc. dispensed a copyright infringement lawsuit against Gary Doss and Nancy Yarbough Doss, who own the Burlingame Museum of Pez Memorabilia at 214 California Drive.
The suit, filed in U.S. District Court in San Jose by Palo Alto-based Alston & Bird LLP, asserts that the Dosses' use of the candy company's trademark products "deceive(s) the public into thinking that the museum is operating under the authority of Pez." The company seeks unspecified damages, and demands the destruction of one of the museum's largest items: A Guinness World Record-holding 7-foot-10-inch Pez dispenser topped with a snowman's head. The suit also requests the discontinuation of "Got Pez?" T-shirts the museum has been selling.
Gary Doss said Thursday that the couple has hired Mountain View-based Fenwick & West LLP to represent them, signaling that Pez's efforts to sue the pair may not be as easy as taking candy from a baby. "Having a major (international) corporation sue two little people here in Burlingame is pretty overwhelming," Gary Doss said. "We've been dealing with it the best we can, we've been getting advice from our lawyers, and we're looking forward to dealing with it."
There have been wide-reaching media reports about the suit, mostly detailing Connecticut-based Pez's legal arguments without response from the Dosses on how they plan to challenge the suit's complaints. The couple's legal strategy remains unclear, but Gary Doss said the couple will disclose more details today or early next week.
"We've gotten some very good press" over the course of the museum's 14-year history, Doss said. "I wouldn't say I'm welcoming this kind of attention." Doss said business hasn't changed much since the suit was first publicized. He said the museum has, however, heard from collectors and artists who are concerned the snowman-head Pez dispenser may be destroyed. Local artists created the dispenser, which can hold 6,480 Pez candies, in September 2006.
Staff writer Mike Rosenberg covers San Mateo, Belmont, San Carlos and transportation issues. Reach him at 650-348-4324 or mike.rosenberg@bayareanewsgroup.com.
My Reply to the Media and to PEZ Inc.:
Gary Doss wouldn't hurt anyone. I've
known him about 10 years having met on the set of "To Tell
The Truth" at NBC in Burbank. I played one of the Impostors
in the game and in my response to a panel question (as coached by
Gary), I stated that the PEZ museum was NOT affiliated with the
PEZ Candy Company and that's what went on the air. Gary's Museum
reflects absolutely the iconoclastic and kitschy nature that made
PEZ a Pop Art Monument.
as
Impostor Number 1 for the curator of the
Pez Museum in Burlingame- Gary Doss
To my knowledge he has never discussed in public the quality of the CANDY they manufacture and that is a great quality of mercy in and of itself. If PEZ had to sell the product based on that, they would have been out of business years ago. Why PEZ Incorporated chooses this particular time to sponsor a Pfefferminz "Book Burning" after so much publicity has re-generated public interest in the market even in the face of this rudimentary candy product with barely a palpable taste, is beyond me. To my knowledge PEZ Inc. has NEVER indulged in any sort of media publicity in the U.S. about their product and Gary Doss has practically GIVEN AWAY Millions of Dollars of PEZ advertising revenue.
From Gary:
We are asking for your support. Please contact Pez Candy Inc and let them know how disappointed you are with this lawsuit. You can write to them at:
Pez Candy Company, 35 Prindle Hill Rd., Orange, CT 06477-3616 You can call them at 203-795-0531 or Toll Free 800-243-6087 Or you can email them at customercare@pez.com You can also take part in an online poll and vote at: http://forums.mercurynews.com/poll/should-large-snowman-pez-dispenser-be-destroyed

According to John
Moore of the Denver Post The Elitch may not reopen until 2012 due
to the escalating cost required to finish the interior. Estimates
hold presently at $10 Million but I shall continue to hold a good
thought which, unfortunately is all I can contribute at this
time.
Lowell and the Tonight Show 1968-74
A tribute to Johnny Carson

ThisAmericanLife.org
Shop-2009.com
AuditionBetter.com
Eden Talent
Saint Nicholas.org
Malwarewiped.com
Spydawn.com
asecurity.com
OnDoctrine.com
LetUsReason.org
Evangelize
America-- William Kingsnorth
Doubleclick.net
EZula.com
Gain Software.com
Precision-Time.com
TV Media.com
Search-space.com
ad bouncer.com
Zestyfind.com
More scum will be added as I find it.

Comic Book Collection For Sale
Movie Reviews
A Request
To those who just MUST have their Cel-Phones with them when they go see a movie:
There are people sitting BEHIND you. If, after the lights go down, you cannot go 2 minutes without checking the thing for whatever, show some courtesy and either sit all the way to the rear or go out in the lobby.
When the show starts, NOBODY
wants to see the light from your phone display.
It is DISTRACTING, RUDE and IGNORANT.
More of an Hallucination than a Fantasy.
Young Alice comes to a point in her life where she must make decisions about her Family, her Wedding and her Pending Inheritance of her Late Father's lucrative Merchandise Export Company while continually dreaming of a place she visited long ago. In the midst of an engagement affair she again spots the rascally White Rabbit, chasing him back to the fateful hole at the Tree Stump ultimately falling back to the strange world where the White Queen is in need of her assistance and Alice is also in need of some closure for her Future.
Drawing from his past 'rep company' of Actors plus a psychedelic color palette and character designs from the original book illustrations, Tim Burton takes a similar tack from Norman Mcleod's 1933 production, combining both Lewis Carroll "Alice" books in a pseudo drug trip of a piece translating well to 3-D only slightly diminished by artistic licenses that seem to have been taken. Johnny Depp as The Hatter is the intended draw but Alan Rickman as the Voice of the Caterpillar steals the show in the same fashion as Richard Haydn's voice did in the animated version. Helena Bonham-Carter gives a great off-the-wall Red Queen portrayal plus a wonderful Cheshire Cat voiced by Stephen Fry. Even though this a Disney Production, to say it's a "Re-Make" would be like comparing Apples and Oranges, somewhat of a sequel in a broad sense. A Dark Tale with Color Overlay.
"Even A Man Who Is Pure
In Heart and says his prayers by night~
May become a Wolf when the Wolfbane blooms and the Autumn Moon is
Bright"
Patent and Timely Homage paid to Curt Siodmak, Jack Pierce and Creighton Chaney.
Upon receiving news of Brother Ben's untimely murder, Sir Lawrence Talbot interrupts his theatrical tour to return to the Family Manor at Blackpool and being presented with a strange medallion in Ben's belongings, goes about trying to uncover the sordid truth about Ben's Death. Although cordial and hospitable, Sir John Talbot holds a cautious reticence with Sir Larry relating to Family History and one night during a disturbance at a nearby Gypsy camp, Sir Larry receives a savage wound from an unidentified "Devil" that superstition and an old Gypsy woman named Maleva can lend a clue to. At the cycle of the first Full Moon, Sir Larry discovers all too late, the real meaning of Lycanthropy's Curse.
With the Curt Siodmak 1941 script, Director Joe Johnston turns back the clock 100 years to a Pre- Sherlock Holmes London and using the symbolism, fashions a stylish tribute to the Universal predecessors including one character that has a tinge of the Henry Hull makeup about it. For Rick Baker (makeup) , Johnston and Music Director Danny Elfman it is their combined legacy played out in glorious Effigy which the Director WISELY chooses not to RUSH through, headed by Benicio Del Toro well-cast as the Melancholy Lawrence Talbot and the always Brilliant Sir Anthony Hopkins as Sir John, all supported equally well by the Lovely Emily Blunt who becomes more than just a Family Friend, David Schofield as Constable Nye and the Wonderful Geraldine Chaplin as Maleva. A Very Well-Crafted Thriller.
While dealing with the machinations of malevolent occultists, Holmes and Watson uncover the dangerous intentions of a mysterious Lord Blackpool who has a pointed desire for World Power through terrorism in the House of Parliament. In the deductive process, Holmes suspects the construction of a diabolical device which if unchecked, will give Blackpool the power over the Monarchy the he desperately craves. But Blackpool may only be a pawn in a much larger scope of influcence from an old foe that Holmes realizes is still very much in the picture.
In this stylish re-telling, Dr. John H. Watson is anything but the innoccuous bystander usually portrayed as He and Holmes, immaculately portrayed by Robert Downey Jr., go toe-to-toe with the perpitrators of an insidious plot to take over the known world. Although edited at a quick pace, the piece retains the Doyle nuances that methodically build clues meticulously assembled by the Master Sleuth even with the aid of the Hapless Inspector Lestrade who is shown in a much more heartfelt characterization by Eddie Marsan as well as Rachel McAdams' Irene Adler to say nothing of Jude Law's Watson who ain't a guy to be messed with. In the construction of a finely detailed London scenario of 1884 and especially the detailed skeletal framing of the Tower Bridge, Director Guy Ritchie paints a finely crafted portrait of Victorian England to give a full flavor of the Holmes Universe. A Fine Entry and a Great Tribute to Sir Arthur Conan Doyle.
Opulent re-working of a 'War-of-the-Worlds' scenario.
Humanoids are cast as sinister invaders of an alien world as a large deposit of a valuable metal is located on a Moon called Pandora and a greedy developer named Selfridge schemes to usurp the land from a native tribe calling themselves Na'vi by using an ingenious device developed for research by Dr. Grace Augustine enabling the growth of a Na'vi body mixed with humanoid DNA to be mentally inhabited by an existing Human mind in order to infiltrate the culture and learn the tribe's social workings. Selfridge allies with a troop of Marines who select one soldier named Sully to join Dr. Augustine with his own Na'vi Avatar. But the physically handicapped Sully and the naive Augustine discover all too late that they have been duped and must now through moral conscience assist their new Na'vi comrades in a struggle against this High Tech interloper to save the very essence of Life that communally exists in the Pandoran sphere.
This is nothing less than a Masterpiece for Director James Cameron as Sigourney Weaver leads a great ensemble (CG and live action) to spin an engrossing fairy-tale employing at least 20 animation crews that I counted in the credits using stop-motion, rotoscope and every available medium to create in great detail some of the most fantastic visualizations and concepts that I have ever been witness to in 30 plus years of watching cinematic endeavors. It deserves to be Best Picture every bit as much as "Star Wars" did in 1977. If there were higher superlatives, I would use them and If you don't see another film in this DECADE, see this one.
Based on the events of South African Freedom from Apartheid.
Newly elected after his unjust "interment", Nelson Mandela is now faced with the struggle of old feelings on both sides from the period of oppression and as he watches The Springboks, hits on an ingenious catalyst to re-unite his beloved country.
Ordained by Nelson Mandela, Morgan Freeman and Clint Eastwood skillfully produce a heartfelt project which manages to show how inhumanity was overcome with Love and Commitment by people who had to re-organize old thinking and move on to heal the wounds of stubborn unjust discrimination. Hopefully the Academy will see Eastwood and especially Freeman for some well-deserved recognition.
More of Lowell's reviews at MSN Entertainment
"Self Portrait"
The Collected works of Andrea Brekus

Gary Randall with Stan Freberg
Randall
Designs:
An old friend
who's one of the best in his field

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Snopes.com - NEVER open any E-Mail attachment you're not sure of, it's your first defense against computer viruses. If you're curious about how they may be titled in the subject line, these reference sites will clue you in. Also, before you respond or forward some bogus E-Mail rumors, bookmark the above as well as George Carlin's own web page.